劉明華，筆名；卓然。喜歡寫詩亦喜愛塗來抹去兼之寫有寫無，因不喜歡有所牽絆，更不喜歡有職銜，一介閑人。1958年出生于廣東饒平。1974 年參加工作，1978 年參軍入伍，1980 年參加海軍廣州基地美術培訓班專業進修。一貫喜歡讀書遊曆，重視素養，有好的思想內涵與較高的理論水平。其多次參加國內外書畫展，並榮獲各大獎項。多幅作品被港澳台、日本、韓國、新加坡、馬來西亞、歐美等國內外友人收藏，備受廣泛關注及享有盛名。潛心詩畫，癡好畫松，一松一世界。遊于世外，心靜境自靜。因出色的藝術造詣和藝術成就，中央電視台華人頻道《環球潮人》欄目以《畫松能手劉明華》專題訪談。
人民日報全媒體平台《襲古創今》欄目組爲之錄制專題紀錄片《描繪古老松柏，讴歌不朽精神》並加以推播。收藏天下全國數字電視頻道《聚焦名師.墨寶收藏.2020最具收藏價值藝術家劉明華》，《人民日報》人民網歐洲網《翰墨國韻大國崛起當代著名藝術名家—劉明華》；中央電視總台朝聞天下﹒《翰墨國韻大國崛起當代著名藝術名家—劉明華》；中國日報《中國網》﹒《筆尖下的國粹—當代著名藝術名家—劉明華》；中央電視總台《中視網》﹒中央電視總台新聞聯播網和中國新聞報道一一新聞頻道以《筆墨情趣見性情，品讀當代藝術名家劉明華》。鳳凰台《鳳凰新聞》﹒《建黨百年﹒書畫風雲人物—劉明華》；鳳凰台《鳳凰新聞》和雅昌頭條《當代最具收藏價值書畫家家—劉明華》。雅昌藝術頭條又以《繪人生精彩，譜歲月華章一一一特別介紹當代藝術家劉明華》今日頭條、百度、騰信、網易新聞以及全國相關省市網站都紛紛轉載宣傳報道。
2013年5月初在友軍的支持下于天津六號院展館主辦了《韓水瑤光》潮籍書畫家作品展。于2016 年7月中旬在解放軍政治工作部北京沙河培訓基地參加由中集郵、大衆文化學會工藝美術專業委員會主辦的中國共産黨成立95周年翰墨丹青耀中華書畫作品展暨紀念郵冊首發活動。2019年國慶節前後曾二次在北京民族文化宮參加“慶祝中華人民共和國成立70 周年”畫展。經過多年來的不斷努力，其作品恢宏灑脫，氣韻生動，滿紙雲煙，渾然天成。博衆家之所長，悟大師真谛，苦研心法。遊曆名山大川，承天地之靈氣，接山水之精華。劉明華先生的潛在力量是無限的，曆年勤奮爲中國當代書畫界留下的墨迹，將隨著時間的推移而逐漸呈現出巨大的藝術價值。
Liu Minghua, pen name; Remarkably. Like to write poems also like to erase and write without, because I do not like to be tied down, more do not like to have a job title, a layman. He was born in Raoping, Guangdong province in 1958. In 1974, he joined the army and joined the army in 1978. In 1980, he attended the art training class of Guangzhou Naval Base for professional training. Always like reading travel, pay attention to quality, have good ideological connotation and higher theoretical level. He has participated in many calligraphy and painting exhibitions at home and abroad and won various awards. Many of his works have been collected by friends from Hong Kong, Macao, Taiwan, Japan, Korea, Singapore, Malaysia, Europe and the United States and other countries, which has been widely concerned and enjoys a good reputation. Poetry and painting, chi good painting loose, a loose world. Swim in the world, peace of mind from the quiet. Because of his outstanding artistic attestation and artistic achievements, CCTV Chinese channel “Global Hipster” column with “Painting pine master Liu Minghua” special interview.
The People’s Daily all media platform “Attacking the Past and Creating the Present” column team recorded a special documentary “Depict the ancient pine and Cypress, Euloquize the Immortal Spirit” and broadcast it. Collection of the world’s national digital TV channel “Focus on masters. Mobo collection.2020 the most valuable artist Liu Minghua”, “People’s Daily” European network “The rise of calligraphy rhyme contemporary famous artist – Liu Minghua”; · The Rise of A Great Power in Calligraphy and Calligraphy — Liu Minghua, a famous contemporary artist; · “The Quintessence of Chinese Culture under the Pen tip — Contemporary Famous Artist — Liu Minghua”, China Daily; “China TV Network” of China Media Group · The News network of China Media Group and the News channel of China News Report – “The Taste of Ink to see temperament, Reading the contemporary art famous Liu Minghua”. Phoenix Palace “Phoenix News” · “One hundred years after the founding of the Party · Painting and Calligraphy personage — Liu Minghua”; Phoenix Palace “Phoenix News” and Artron headlines “the most valuable contemporary painting and calligraphy family – Liu Minghua”. Artron Art Toutiao also introduces contemporary artist Liu Minghua with “Draw a Wonderful Life, Chart the Years hua Chapter 11” today’s toutiao, Baidu, Tengxin, NetEase news and related provincial and municipal websites have reprinted the publicity report.
In early May 2013, with the support of friendly forces, the exhibition hall of Tianjin Courtyard 6 hosted hanshui Yaoguang Chaoshu Calligraphers and Painters exhibition. In mid-July 2016, he participated in the Chinese Calligraphy and Painting Exhibition and commemorative stamp album debut for the 95th anniversary of the founding of the Communist Party of China hosted by the Arts and Crafts Professional Committee of The Chinese Philatelic and Popular Culture Society in Beijing Shahe Training Base of the Political Work Department of the PEOPLE’s Liberation Army. Around the 2019 National Day, he participated in the exhibition of “Celebrating the 70th Anniversary of the Founding of the People’s Republic of China” twice in the Cultural Palace of Nationalities in Beijing. After years of continuous efforts, its works grand free and easy, vivid, full of paper clouds, natural. Bo the director of the house, master true meaning, bitter research heart method. Traveling in famous mountains and rivers, inheriting the spirit of heaven and earth, and receiving the essence of landscape. Mr. Liu minghua’s potential power is unlimited, the years of hard work for the Chinese contemporary calligraphy and painting left ink, with the passing of time will gradually show great artistic value.
“奇松傲立玉屏前，閱盡滄桑色更鮮”——賞讀劉明華先生筆下的古松
劉明華先生筆下的古松是揮之不去的天籁之音。那一幅飄逸非凡、曠達亘古的古松繪畫潛行著他的崇仰之旅、高遠之思。他在藝術的海洋裏感受、追懷、遙想……是松樹啓迪了他的神馳意掣呢，還是他的意掣神馳賦予了松樹以外的什麽？岩石上三五青松淩雲傲物，看雲卷雲飛，月缺月圓……劉明華在那樣的仙境中凝思、暢想、揣摩、構圖、渲染…
劉明華先生聽松濤而醞詩情，用意精深。以大筆散鋒勾勒松針，筆筆潇灑揮寫與嚴謹刻畫相結合，縱橫盤錯的線條組成千變萬化的空間，構成微妙的韻律感，使松針細密繁缛而有意趣，形神兼備，輔以水墨暈染，滋潤中透出凝重，體現出生氣勃勃的風格，畫出了松之魂魄、情操和氣韻，很好的表現出氣節千秋的氣氛；又以散筆老毫主寫松幹，筆勢奔放生動，豪放中見靈秀。皴皴擦擦、點點染染，在經意和不經意之中，使畫面又呈現出蒼勁之美，畫得松幹如巨龍拔地擎天，無一不是破頑石而生，铮铮而立。劉明華先生具備善于捕捉現實生活中存在大美的實質能力，將大自然中物象的美，經過加工，概括，再納入自己的藝術形式中，選擇承接中國傳統的審美取向，以“中得心源”營造內心的宏大意象。縱觀劉明華先生所作古松整幅意境無不滲透著清、幽、靈、靜、恬淡的氣息。將不同空間之意象組合在一起，在整體單純簡潔的感覺上，以局部的豐富來增加畫面的豐富性，同時注重濃淡程度的不同、大小形象的對比以使畫面具有空間的縱深感。
Mr. Liu Minghua’s ancient pine is the lingering sound of nature. That elegant extraordinary, broad-minded ancient pine painting prowling his worship of the journey, lofty thinking. In the sea of art, he felt, remembered and imagined… Did the pine inspire his impulses, or did his impulses inspire something beyond the pine tree? Rock on three or five qingsong Lingyun proud, see cloud yunjuanyunfei, lack of full moon…… In that fairyland, Liu Minghua meditated, imagined, figured out, composed, rendered…
Mr. Liu minghua listens to songtao and goes by the poetic method with profound meaning. Outline scattered front with a large pine needles, bolt handsome start with rigorous characterization, the combination of vertical and horizontal lines of the complex of space, a subtle sense of rhythm, make pine needle close overelaborate and fun, xingshenjianbei, complementary with ink dizzy catch, moist in the dignified, fully reflects the vibrant style, draw out the soul of pine, sentiment and artistic conception, A good performance of the atmosphere of integrity; And to loose pen Lao Hao Lord to write loose dry, bold and vivid, bold and unrestrained in see ling xiu. Cun brush, point dyeing, in the meaning and casual, so that the picture and show the beauty of the vigorous, pine dry such as the dragon to pull out the sky, all is not broken stone and born, clank zheng. Mr. Liu Minghua has the ability to capture the essence of great beauty in real life. After processing, summarizing and incorporating the beauty of objects in nature into his art form, he chooses to inherit the traditional Chinese aesthetic orientation and create the grand image of his heart by “obtaining the source of his heart”. The whole artistic conception of the ancient pine painting by Mr. Liu Minghua is permeated with a clear, quiet, spiritual, quiet and tranquil atmosphere. The images of different Spaces are combined together to increase the richness of the picture with local richness on the overall simple and concise feeling, and at the same time pay attention to different shades and the contrast of images of different sizes to make the picture have a deep sense of space.
古松在劉明華先生的筆下，不獨是出自心源的性情之筆，更是一種人文思索，畫面營造的是松樹又不是松樹，那是畫家的心象和符號，畫面顯示出蒼茫之思與高節之氣，顯示出中國文化傳統中高潔脫俗的品格與孤傲堅貞的精神力量和生命情調。永遠以一種不變的姿態在天地間傲然挺立，宛如一尊不朽的雕像，凝眸足趾下翻滾的風雲，指點未來，笑傲乾坤。
劉明華先生的古松繪畫中包含著他對松的摯愛與崇仰。先生的筆端表達的是，遙望山上松，隆冬不能凋的本質；以及青松挺且直的氣節，都融入了東方詩情的浪漫主義情懷，傳承先賢的詩乃無形畫，畫是無形詩思想內涵，掠過劉先生的作品的背後，恍惚間不知先生是在畫松還是在寫詩，不過這些已經不重要了，當一幅幅作品重顯，你定會感覺到一位藝術家筆鋒如劍地禮贊著蒼松
立傲蒼穹的精神。——文／柳秀琳
Ancient pine trees in Mr Liu Minghua, not only is the pen of from cardiac temperament, but also a kind of humanistic thought, frame construction is the pine tree and not a pine tree, and it is the artist’s heart like symbols and images show the thought of boundless and the gas with high section, shows that the pure and free from vulgarity in traditional Chinese culture character and aloof firmness of spiritual power and the life emotional appeal. Forever with a kind of invariable attitude between heaven and earth proudly stand, just like an immortal statue, gazing at the tumbling wind and cloud under toe, pointing to the future, laugh proud universe.
Mr. Liu minghua’s paintings of ancient pines contain his love and admiration for pines. What he expresses is the essence of looking at the pines on the mountain in the middle of winter. Integrity and the pine stand and straight, have entered into the romantic feelings of the Oriental poetry, inheriting the ancient poetry is intangible, is the intangible poetry thought connotation, and past behind Mr Liu’s work, I don’t know Mr Between trance is in painting pine or write poetry, but these have not important, when works elegantly restored, you will feel an artist pen such as sword to praise the pines
The spirit of the sky. — By Liu Xiulin
蒼茫自橫出
浩氣滿乾坤
一一評劉明華先生雙管攢針畫松
有緣認識畫家劉明華先生，已經好多年了。在繪事上，他窮年累月，一以貫之的，就是畫松。爾來八九載，他更是常常閉門守住寂寞，潛心砥砺，刻苦而勤奮地創作了一幅又一幅畫松的大作品，氣格爲之一變，令人驚羨，歎賞！
明華先生畫松，與人不同處，在于他畫松針是用雙管攢針。即，他是在指掌間夾住了兩枝筆來攢松針，而不是僅使用單枝筆。他這絕活是早年從師習藝學來的。後來則在他自己不斷進行新的探索和精益求精的錘煉中，戛戛獨造，日臻至境。今天畫壇畫松者衆，此或爲僅見。至于畫史雖有張璪畫松“雙管齊下”之傳，張卻是“一爲生技，一爲枯枝”，並不是攢針。相傳發明了攢針法的李成，史籍上也沒有他雙管攢針的記載。因此，明華先生的雙管攢針法，已經成爲了他的頗具個人特色的藝術表現。
然而依我之見，明華先生的雙管攢針法，並非純屬″技″的層面，而是在松針的形似的基礎上，進一步提升了以形寫神和形神兼備的筆墨神釆，從而增加了松針的榮荗的真實感和特征性。雙管攢針法也因此帶來了更多的形式妙趣，足堪玩味。
The vast expanse from the horizontal
Haoqi fills the universe
Comment on Mr. Liu Minghua double tube needle painting loose
Huang Shaoqing
I have known Mr. Liu Minghua, a painter, for many years. In painting, he has been drawing for years and years. In the past eight or nine years, he often closed his door to guard the loneliness, with great concentration, hard and diligent to create a painting of loose works, gas grid for one of the changes, amazing, admire!
Mr. Minghua paints pine needles differently from others in that he uses double tubes to save needles. In other words, he used two pens between the palms of his fingers to save needles, rather than a single pen. He learned this skill from his teacher in his early years. Later, in his own continuous new exploration and refinement of the temper, suddenly created, gradually perfect. Today’s painting circle painting loose people, this or only see. As for the history of painting pine “in two strings” of zao Zao, which is “a living technique, a dry branch”, not a needle. It is said that Li Cheng invented the method of saving needle, and there is no record of his double tube saving needle on historical books. Therefore, Mr. Minghua’s double tube needle method has become his artistic expression with personal characteristics.
However, in my opinion, Mr. Minghua’s double-tube needle saving method is not purely “technique”, but on the basis of the similar shape of the pine needle, it further improves the shencai of the pen and ink with both shape and spirit, thus increasing the sense of reality and characteristic of the rong of the pine needle. Double tube save needle method also brought more form because of this wonderful interest, enough worthy of pondering.
當然，松針只是畫松的組成部分，遠非畫松的全部。所以同樣重要的是，松的長勢、形態及其可能的精神蘊含，從整體表現來說，俱密不可分，並不存在主要與次要的關系。明華先生對此非常明白。因此長期以來，外師造化，是他始終堅持躬行的創作道路。迄今，在中華大地上，他的足迹幾乎踏遍所有有古松奇松的地方，如險峻的五嶽固不在話下，九華山、崂山、大明山，以及九寨溝、十三陵等，也都留下了他虔誠地向五代荊浩學習和致敬的履痕。基于此，古代畫論形容松，“蒼健老硬，其形甚多″，″或聳而進枝者，或曲折而俯仰者，或躬而若揖者，或如醉人狂舞者，或如披發仗劍者″，”又若怒龍驚虬之勢，騰龍伏虎之形，似狂怪而飄逸，似偃蹇而躬身″等等，明華先生多有所悟，其不同時期詩畫筆下的松又和而不同，折射出明華先生多樣的豐采。有關明華先生畫作風格的變化，有此番評述：“複堂之畫凡三變，初入都一變，再入都又一變，變而愈上。蓋規矩方圓，尺度顔色，深淺離合，絲毫不亂。藏在其中而外之，揮灑脫落皆妙谛也。六十外又一變，則散漫頹唐無複筋骨，老可悲也。” 于是當其落筆，紙上之松即胸中之松，榮茂生發，奇釆郁勃，動人心魄，振人精神！
Of course, pine needles are only part of the pine, not all of it. Therefore, it is equally important that the growth, form and possible spiritual implication of pine are inseparable from the overall performance, and there is no primary and secondary relationship. Mr Minghua knows this very well. Therefore, for a long time, he always adheres to the creation path of practicing. So far, in the land of China, his footprints almost all the ancient pine and pine places, such as the five steep mountains, Jiuhua Mountain, Laoshan Mountain, Daming Mountain, as well as Jiuzhaigou, Ming Tombs, etc., have also left his piety to the five generations of Jinghao study and pay tribute to the tracks. Based on this, the ancient painting describe loose, “the healthy old hard and its shape very much”, “or shrug and into, branches, or twists and turns and pitch, or if a bow and yi, or such as mosh intoxicate, or such as the beatles hair battle sword”, “dragon if anger again surprised Qiu, the shape of dragon fighter, like crazy and elegant, like YanJian and devoting to” and so on, Mr Ming to think more, The pines in his poems and paintings of different periods are different from each other, which reflects the diversity and richness of Mr. Minghua. Regarding the changes of Mr. Minghua’s painting style, this comment is made: “Fu Tang’s paintings all change in three ways: when I first entered the painting, they all change again, and then they all change again. Cover rules and square, size and color, depth clutch, not at all disorderly. Hidden in them and outside, write off all wonderful noble truth also. If you change after 60, you will be old and sad.” So when he started writing, the pine on the paper was the pine in his chest. Rong MAO was born with hair, qi Zhaobo, moving and inspiring.
可變與不變，能變與不能變，仍是一個畫家能不能繼續向著新的高度和境界挺進的關鍵。如衆所知，白石老人衰年變法，他正是由此而爲自己打開了藝術的新紀元，成爲登頂的一代大師。明華先生或許沒有那麽大的野心，但藝無止境，大膽求變，在變化中向前沖刺，是他爲自己預設的堅定不移的目標。因此，八九年來，他的甘于寂寞，默默奮力創作，一幅幅畫松所展示的闊大的氣象，都在變化中帶有了對于此前較多的清遒意境的超越。具體點說，則是他的畫松，這些年來除了愈發以任情恣性的筆墨揮灑，曲盡松的各種奇崛怪絕的長勢、形態，作爲環境襯托的，還多爲橫空出世的危峰峻嶺，九天挂落的飛流瀑練，因而于無邊無際的蒼茫中，一股浩然之氣，彌漫畫幅，漲滿乾坤，拓展了意境，深化了蘊含，升華了精神指向。所以斯變也，實乃爲大氣魄之變，大格局之變！
Being changeable and unchangeable, being able to change and not being able to change is still the key for a painter to advance to a new height and realm. As we all know, Baishi old age change, he is thus opened for himself a new era of art, become a generation of masters. Mr. Minghua may not be so ambitious, but endless art, bold change, sprint forward in the change, is his preset unswerving goal. Therefore, for eight or nine years, he was willing to be lonely, quietly struggling to create, a picture of the vast atmosphere shown by the pine, are in change with more clear mood beyond the previous. Specifically, it is his painting, in addition to these years more and more to be harmonized appearances taste of ink, all loose piece of various singular strange at the same time, the development, form as a foil to the environment, the more dangerous in was born with the formation of majestic mountains, nine days hang fall in torrents of organ, therefore, in the boundless boundless a loftiness, diffuse format, rose man qiankun, expand the artistic conception, deepen the contain, Sublimate the spiritual direction. So si change also, is actually the change of the great vision, the change of the great pattern!
與此同時，明華先生畫松滲透著的書卷氣息，也不無可感。這在于他深知，繪事之高下，最終取決于積學積養的高下。故而除了畫技的淬煉，明華先生讀書不倦，也是常態。他讀書之廣，不棄古今。也著述，有文字與書藝史之長論。作詩則成千累百，詩稿盈瀉。所以他畫松的底蘊生發，蓋所來有自。古人雲，″畫貴有古意″。我的理解，所謂″古意″，指的應該就是對于傳統文化的繼承和發揚光大，潤物無聲地有益于世道人心。明華先生畫松的佳構力作，當亦此之依歸哉！
At the same time, Mr. Minghua painting loose permeate the breath of the scroll, also not without feeling. This lies in his deep understanding that the success of drawing depends ultimately on the success of learning and raising. Therefore, in addition to the refinement of painting skills, Mr. Minghua’s tireless reading is also the norm. He read widely and did not abandon the ancient and the modern. Also writing, there is a long theory of the history of writing and calligraphy. Poetry is thousands of tired hundreds, poetry manuscript surplus box. So he painted loose roots, cover from. The ancients said, “painting has ancient meaning.” In my understanding, the so-called “ancient meaning” refers to the inheritance and development of traditional culture, which is silently beneficial to the people of the world. Mr. Minghua’s excellent work of painting pines should also be in line with this!
——文/黃少青
——By Huang Shaoqing