第六期園冶杯國際建築設計分享會將于北京時間6月16日14:40-17:20在小鵝通及B站平台線上直播。屆時9位國內外優秀建築設計師將進行分享，歡迎掃碼觀看。
The sixth YUANYE AWARDS architectural projects sharing meeting starts on 16th June 14:40 -17:20 Beijing time. 9 international architects will participate in this time. You can watch live broadcasting on Xiaoe-tech and Blibli platform by scanning the QR code on the poster.
同時，歡迎各設計機構把優秀的作品帶到園冶杯平台上交流，與全世界建築師及愛好者一起分享。歡迎報名參加。
Meanwhile we also highly appreciate you bringing more excellent design works to our YUANYE AWARDS. Looking forward to your participation.
國際設計B站房間號：23784106
張繼元 Zhang Yingfan
時境建築創始人、AIA, NCARB, RIBA注冊建築師
Founding Partner of Atelier Alter Architects, Registered Architect AIA, NCARB, RIBA Chartered Member
劉春陽 Liu Chunyang
德國歐博邁亞工程咨詢（北京）有限公司上海分公司建築與城市規劃總監
Director of Architecture and Urban Planning in OBERMEYER Enginnering Consulting (Beijing) Co., Ltd/Shanghai Branch
徐小萌 Xu Xiaomeng
十域建築 Domain Architects, China
十域建築創始人，賓夕法尼亞大學建築學士和哥倫比亞大學建築碩士，注重以重塑空間體驗爲核心進行設計。
Founder of Domain Architects, B.A. in Architecture, University of Pennsylvania, M. Arch, Columbia University. His practice strives to reform architectural experience with innovative site strategy.
琚安琪 Ju Anqi
灰空間建築事務所 Greyspace Architetcts
灰空間建築事務所合夥人及室內設計總監，同濟大學建築學碩士，包豪斯大學城市規劃雙學位碩士。灰空間建築事務所于2016年創立于上海，是一個逐步增長、多樣化的、具有國際化背景的本土建築設計團隊。灰空間提供多元化的整體規劃、建築設計、室內及産品設計，全周期一體化服務。
Ju Anqi, the partner and design director in Interior Design Department of Greyspace Architetcts, got her MArch degree from Tongji University and her Murban-plan degree from Bauhaus University. Founded in Shanghai in 2016, Greyspace Architects started as a locally-based architectural design team of growth, diversity and global mindset, offering interdisciplinary, whole-cycle and integrated design service on master planning, architectural design, interior and product design.
分享作品：沂蒙人家2號院民宿 NO.2 Courtyard, Yimeng People Hotel
沂蒙人家二號院民宿是對一個多年傳統品牌酒店院落的改造。設計通過對建築院落的保留與更新，在地材料的運用，光影氛圍的營造，探討傳統院落空間的改造策略。
The NO.2 Coutyard is a part of a traditional brand hotel in Shandong province running for 20 years. The design tries to explore the renovation strategy of Chinese traditional courtyard space through reservation and renewal of the building and landscape, the use of local materials.
胡海傑 Haijie Hu
VAVE STUDIO 空間體驗事務所
胡海傑是一位跨學科的先鋒設計師，多維空間體驗領域的先行者，思考者和實踐者，也是空間體驗事務所VAVE STUDIO的聯合創始人。
Haijie Hu is the co-founder of VAVE STUDIO. Aside of being the leader of the pioneering deisgn group, Haijie is also an interdisciplinary designer, a thinker and a practitioner in the field of multidimensional spatial experience.
分享作品：科興北京展廳 Sinovac Corporate Showroom
©Saren Huang (黃承司)
在介入項⽬的時候，我們得到的場地是⼀個⾮常曲⾯的，碎⽚化的空間。建築師當初在設計這個空間的時候，用細胞形態這種⽐較直接的方式來構建這個展示空間。我們從“情感”出發，打造5個情景劇場。情景劇場的營造⽅式，是以故事構建情境，以空間構建情景，通過體驗（秀場，表演，裝置…）構建情節，以更加直觀或者更加物象的⽅式，鏈接起觀衆的情緒，形成以“情感”爲核⼼的頂層策略。
We got a very curved, fragmented space when we were involved in the project. Initially, the architects designed the space in a straightforward way, using cellular as the form to create the showroom. We started with “emotion” and created five scenarios. Starting from the story, we create scenarios through experience (show, performance, installation, etc.) in the theater-like space. We motivate the audience’s emotions in a more intuitive and visual way, forming a top-level strategy with “emotion” as the core.
The World of Lives生命之境——Activating macro from micro用微觀去撬動宏觀 ©Saren Huang (黃承司)
視角從微觀的病毒拓展到宏觀的人類社會，帶領觀衆穿越流行病和瘟疫的漫長曆史。
From a micro virus to a macro human perspective on the long history of civilization traveling through pandemics and plagues.
Together for a Healthier World益道同行——parallel Resonance雙線共振 ©Saren Huang (黃承司)
觀衆可以穿越一條象征企業發展與社會共振道路，走過一間三維立體的時間場景。
Walking through a three-dimensional time scenario. A road symbolizing the development of the enterprise in resonance with society.
徐琦 Xu Qi
goa大象設計（Group of Architects）
徐琦先生在城市高端社區營造、度假酒店、文化設施和其他地標性綜合建築領域擁有15年的經驗。他熟稔東西方生活方式，擅長以現代主義的理性框架爲依托，探索因地制宜的獨特性設計，所創作的作品能以多種風格面貌滿足客戶的需求。他始終認爲建築和環境的對話是設計的首要問題，建築空間的營造應當尊重並回應場地的自然和曆史人文環境，以此塑造場所體驗，激發人們的情感共鳴。徐琦先生傾向于以整體性思路和一種彈性的工作方式來展開工作，將對複雜條件的回應措施歸納爲一種簡潔清晰、尺度准確且細部精煉的形式。他對藝術和其他設計學科的關注，促使他樂于積極投入與室內、景觀等各個設計領域專家的交流碰撞，共同打造一個高整體性、高完成度的設計作品。
Mr. Xu Qi has 15-years of experience in high-end urban communities, resort hotels, cultural facilities, and landmark complexes projects. He adopts both eastern and western cultures as the essential driving force in design. Xu believes that design’s primary is to create a dialogue between architecture and the environment. His works emphasize adapting to the natural, historical and cultural context of the site under a rational design thinking of modernism while forming a spatial experience and arousing users’ emotional resonance. Xu works in a flexible way to stimulate more possibilities and carries out design with a holistic approach, presenting diversified design styles to respond to different complex project conditions concisely and precisely. His artistic and design pursuit drives active communication and collaboration with consultants in other fields to realize multiple projects with high integrity and a high level of completion.
分享作品：陽羨溪山·雅達劇院 Yang Xian Xi Shan · Yada Theatre
©goa大象設計
雅達劇院的設計沒有采用“封閉盒子”式做法，而是從“開放性”展開思考，爲來訪者诠釋藝術與自然交融的、獨一無二的體驗。劇院以中心庭院爲核心展開，一系列灰空間穿插于其中。爲诠釋“在地性”，建築師研究本地建材，最終以宜興本地産灰綠色陶板作爲外牆材料，營造出簡潔、典雅的氛圍。530 座的多功能觀演廳可實現開敞式與鏡框式舞台的轉換，不僅滿足音樂會、戲劇演出的專業表演需求，亦適應其他文化活動場景。舞台背景創造性地采用落地玻璃幕牆，置身其中，仿佛置身于鑲嵌在茶田水景之中的“宋式坐榻”。作爲一體化設計項目，設計團隊在完成建築、室內、景觀設計之外，還對照明設計、幕牆設計以及觀演廳、舞台、燈光、聲學等專項設計進行一體化效果審核，是一次全新而有意義的嘗試。
The design of Yada Theater, instead of adopting the “closed box” approach, interprets a unique experience blending art with nature for visitors from the perspective of “openness”. The central courtyard is the core of the theater, interspersed with a series of grey spaces. To interpret “local characteristics”, architects studied local building materials, and finally selected the grayish green ceramic panels produced in Yixing as exterior wall materials, creating a simple and elegant atmosphere. The 530-seat multifunctional auditorium can realize transition between open and picture-frame stages, meeting the needs of professional performances such as concerts and dramas and adapting to the scenes of other cultural events. A floor-to-ceiling glass curtain wall is used creatively in the stage background, which makes you feel as if you are sitting in a “Song-style couch” set in tea fields and water features. As the project adopts integrated design, the design team, apart from the architectural, interior and landscape design, reviewed the integration effect of the illumination and curtain wall design as well as the special design of the auditorium, stage, lighting and acoustics, which is a new and meaningful attempt.
韓橼 Yun Hon
A( )VOID 一間建築
生于澳門，在後殖民城市的成長背景下探索未來城市及鄉村轉型的可能性，畢業于香港中文大學建築系。希望通過不同媒介（包括但不限于平面、建築、多媒體、都市構想及室內設計）對跨尺度地域性進行概念實驗。通過跨尺度設計思辯創立一套字義與詞源系統， 從而爲作品于類型、材料、尺度等方面帶來多樣性。
Born in Macau, has been exploring the possibilities of future urban and rural transformation in the context of a post-colonial city. He has received his bachelor of architecture at the Chinese University of Hong Kong. First learnt about the transitional Chinese ruralism during his spell at Zhao Yang Architects, hoping to conduct conceptual experiments on cross-scale regionalism via various media (including but not limited to graphics, architecture, multimedia, urbanism and interior design). Forementioned practices build up the his specific linguistic and etymological rumination system, shaping his conceptualisations of scales, materiality, typology, commerciality, etc.
分享作品： 雫 (雨下) SHIZUKU
雫(Shizuku) 是一個約 800 平方尺的清酒吧和零售項目，位于一棟建于 1972 年的6層高住宅樓的地面層。她位于澳門特別行政區南灣區，面向建築文化遺産，舊法院大樓（Tribunal Velho）。Shizukuzake（雫酒）意爲“滴酒”，是一種無需依靠外部壓力即可將酒液與酒糟分離的方法，通過將醪液懸挂在袋子中，讓液體在重力作用下依靠其自重滴落。 漢字“雫”亦可讀作“雨下”，意思是“雨滴”。因此，設計概念圍繞雨水進行發想。每個個體都在雨中分享一個躲避處，共同觀賞著對岸的月亮。看似全變形的拱形天花，繼承自日本最具曆史意義的大正時代（大正）紋（石畳紋）之一，也嵌入到 2021 年東京奧運會的標志中。該固定裝置裝有照明裝置、展示架、煙霧/熱量探測器和檢修面板。此外，在偏移面板後面還有一個隱藏的懸挂系統，將用于舉辦與澳門本地的動畫、舞蹈、攝影工作室、爵士樂隊等的合作企劃。以石畳紋爲啓發的拱形天花勾勒出對街20世紀建築文物以及遊人與鄰居的日常生活，爲澳門這座後殖民都會呈現出一個日式異托邦，亦同時顧及周邊老街區的曆史記憶和獨有時空。清酒吧配備了多種類型的座位，以便爲個體複雜的情緒配置相對應的人體工學設計。當一個人感覺希望被看見時，更適合高高的吧枱(1000mm)；而常規的用餐高度(750mm)，讓你更舒適地享受食物；最低的700mm 的茶幾，提供更輕松的體驗。榉木吧台轉角的設計減低店主 (大將) 和個別酒客之間的溝通距離，轉角點間或成爲場地的支樞。
SHIZUKU is a sake bar and retail project with approximately 800 sqft, inserted on the ground floor of a 6-storey residential building, which was built in 1972. It is located in the Rua Central, facing the cultural heritage of the Tribunal Velho (Old Court House), in Macau SAR. Shizukuzake (雫酒), meaning “drip sake”, is a method of separating sake from the lees without external pressure by hanging the mash in bags and allowing the liquid to drip out under its own weight by gravity. The Chinese word ‘雫’ can also be read as ‘雨下’, meaning ‘the dripping rain’. Therefore, the design conceptualised around the elements of rain. Everyone shares a shelter under the rain, overseeing the moon on the other side. The seemingly omni-morphing ceiling, which is inherited from one of the most historical Taishō Era (大正) pattern (石畳紋) of Japan, which was also embedded into the 2021 Tokyo Olympics logo. The fixture houses lighting fixtures, display shelves, smoke/heat detectors and access panels. Moreover, there is a hidden hanging system, behind the offsetted panels, which will be used for hosting weeks/months-long collaborations with parties including local animation, dancing, photography studios, jazz bands, etc. This will be one of the venues to host a ‘City as museum’ series, launching exhibitions and events at places of different categories over the same period of time. The pixelated arch frames the classified 20th century architecture and the vivid daily life of the pedestrians, tourists and neighbours, visualising a Japanese version of the metropolitan nature of the post-colonial city, on the other hand, respecting the memory and time of the historical building in the old neighbourhood. Various types of seating are implemented into the sake bar in order to offer ergonomical freedom for individual sentiments. Tall bar stool when one feels more shining; regular dining height for a cozier encounter; the lowest 700mm tea table to allow an even more relaxed experience. The angled approach of the bar counter minimises the difficulty of communications among drinkers and servers, and the turning point momentarily becomes the pivot of the venue.
Kulthida Songkittipakdee（右）
HAS design and research
HAS design and research / 主持建築師朱拉隆功大學建築學院 / 客座教授泰國建築師協會 / 會員《泰國暹羅建築師協會期刊》 / 編委主席
HAS design and research / Principal ArchitectChulalongkorn University / Visiting ProfessorArchitect Council of Thailand / Member The Architectural Journal of the Association of Siamese Architects under Royal Patronage / Chairman HAS
Kulthida Songkittipakdee作爲聯合創始人與主持建築師與洪人傑（Jenchieh Hung）創立HAS design and research，事務所通過”設計+研究”並行的方式，探討亞洲自身的建築語言；他們著重于自然與人造自然的類比，通過城市自身的衍生找尋另種建築自然性，並陸續出版建築宣言式書籍，包括2021年泰國Li-Zenn出版社的《THE Improvised即興建築》、《MANufAcTURE人造自然》、《Chameleon Architecture變色龍建築》。其作品涵蓋展覽設計、裝置藝術、文化建築、宗教寺廟等，擅長將材料與地域的敏感性結合在空間氛圍中，揉合建築與文化的邊界創造具有精神性場所；代表項目包括佩提卡森藝術家工作室入選泰國暹羅建築師協會年度建築獎、林中空地獲英國雜志Dezeen評爲十大中國最美書店、泰國MoMA現代鋁博物館榮獲泰國聲譽獎年度建築事務所大獎。
As the co-founder and principal architect, Kulthida Songkittipakdee founded HAS design and research in Bangkok and Shanghai with Jenchieh Hung to explore Asia’s architectural language through a “design + research” parallel approach; it emphasizes the analogy of nature and man-made nature, looking for another kind of new natural architecture through the city’s own derivatives, named “The Improvised, MANufaAcTURE and Chameleon Architecture”.
分享作品：現代鋁博物館 Museum of Modern Aluminum
©W Workspace
MoMA是Museum of Modern Aluminum的縮寫，項目源自于一群有雄心壯志的業主，以複興鋁在泰國的重要性爲目標。HAS design and research希望MoMA不僅作爲大衆空間，並可替忙碌的城市居民提供休憩場所。因此，建築延續柯叻島上的自然景觀至項目場地。在白天MoMA就像一棵蒲公英，建築懸挑構件隨風搖擺，替繁忙又緊張的拉查府盧克路增加輕柔感；到了夜晚，MoMA搖身一變成爲了螢火蟲，替商業氣息濃厚的拉查府盧克路增加一些生態感與松弛性。
MoMA is the abbreviation for Museum of Modern Aluminum. The project originated from a group of ambitious clients with the goal of reviving the significance of aluminum in Thailand. HAS design and research wanted MoMA to serve not only as a public space but also as a getaway for busy urban dwellers. The building extends the natural landscape of Ko Kret Island to the project site. During the day, MoMA is a dandelion, with its overhanging elements swaying in the wind, bringing softness and lightness to the busy Ratchaphruek Road; at night, MoMA transforms into a firefly, adding a sense of nature and peacefulness to the highly commercialized Ratchaphruek Road.
Cecilia Picello
Stefano Boeri Architetti
Cecilia Picello，2014 年于米蘭理工大學完成建築學專業學習；2017年完成了上海同濟大學和米蘭理工大學室內設計的雙碩士學位。目前，她在SBA中國區擔任藝術總監。從事建築和設計，以及文化項目和展覽，她參加了SUSAS_2017 “This – CONNECTION – sharing a future of public space”，以 “ Vertical Forest – Seeds on Mars” 項目設計和诠釋城市的未來 ”。Slow Food Freespace 是與慢食運動合作在中國建設的第一個慢村的試點項目。該項目在第16屆威尼斯雙年展時，在縱覽中國城市的活動中展出。
Cecilia Picello, graduated in 2014 in Science of Architecture at Politecnico of Milan. In 2017 finished her double master’s degree in Interior Design at Tongji University of Shanghai, and Politecnico of Milan. Currently, she is working as Art director of SBA China. Working on both Architecture and design, as well as Cultural projects and Exhibitions she took part in SUSAS_2017 “This-CONNECTION – sharing a future of public space”, designing and interpreting the future of the cities with the project “Vertical Forest • Seeds on Mars”. Slow Food Freespace, a pilot project for the first Slow Village to be constructed in China in collaboration with Slow Food Movement, and presented on the occasion of the 16th Venice Biennial, within the collateral event Across Chinese Cities.
分享作品：米蘭垂直森林 The Vertical Forest，Milan
垂直森林是由博埃裏建築設計事務所創始人建築師斯坦法諾·博埃裏（Stefano Boeri）先生于2006年開始設計的用于展示新形態建築生物多樣性的一種建築原型，這種建築不僅關注人類，更關注人與其他物種的關系。
The Vertical Forest is an architectural prototype designed by the founder and architect Stefano Boeri of Stefano Boeri Architects in 2006 to show the biodiversity of new forms of architecture. Architecture not only focuses on humanity, but also on the relationship between human being and other species.
Thomas Lindgard Fagernes
NORDIC — OFFICE OF ARCHITECTURE
Thomas在領導大型建築項目和管理包括國際顧問團隊在內的設計團隊方面擁有豐富的經驗。從2006年到2018年，他在Snøhetta擔任多個大型國際項目的建築師 。Thomas于2018年加入Nordic Office of architecture，擔任設計總監和合夥人。作爲建築師和團隊負責人，他表現出了從小規模室內設計項目和裝置到大型複雜項目的卓越領導能力和建築表現力。他曾率領團隊贏得過多項重要的國際競賽，包括釜山歌劇院，上海大歌劇院和文萊達魯薩蘭國外交與貿易部。
Thomas has extensive experience with leading large and complex projects, including teams of international consultants. From 2006 to 2018 he worked as an Architect, Design Manager and Project Director for Snøhetta on several large international projects. He joined the Nordic team as Design Director and Associate Partner in 2018. As an architect and team leader he demonstrates a keen ability to cultivate holistic architectural projects from small interiors and installations to large and complex projects. He has led several successful competitions including the Busan Opera House, the Shanghai Grand Opera House and the Ministry of Foreign affairs and Trade in Brunei Darussalem.
分享作品：新挪威政府辦公區 New Government Quarter
Nordic Office of Architecture 贏得了重新設計挪威政府辦公區的競賽。Statsbygg于2016 年發起了新政府大樓的設計競賽。Regjeringskvartalet，特別是總理辦公室所在的街區，是 2011年7月22 日汽車炸彈襲擊的目標，對幾座建築物造成了重大破壞。該設計包括七個街區的建築，包含 4500 個工作場所，周圍環繞著公園、廣場、咖啡館和遊客中心，爲市民提供一個享受的場所。新政府區將有助于改善城市環境——它將高效、靈活和安全地承載未來幾年將容納的部委。這將是政府代表的一個領域，但對所有人開放和使用。四個字指導它的發展：高貴、恒久、美麗、友善。
Nordic Office of Architecture won the competition to redesign the Norwegian government headquarters. Statsbygg launched the design competition for new governmental buildings in 2016. The Regjeringskvartalet, and specifically a block housing the prime minister’s office, was the target of a car bomb attack on 22 July 2011 that caused significant damage to several buildings. The design comprises seven blocks building containing 4,500 workplaces, which will be surrounded by parks, squares, cafes and a visitor center to provide a place for its citizens to enjoy. The New Government Quarter will contribute to a better urban environment — it will be efficient, flexible and secure for the collection of ministries it will house in the years to come. It will be an area of representation for the government, yet open and available to all. Four words guide its development: noble, enduring, beautiful and friendly.
Erfaneh Abdi
Ayeneh Office
1998年3月出生于伊朗德黑蘭，SBU 建築學碩士。Erfaneh Abdi 自 2020 年 6 月起擔任 Ayeneh Office 的首席建築師。在過去的十年中，該工作室獲得了許多國家以及國際獎項，包括多個 “Memar Awards”（伊朗最值得信賴的競賽）。室內設計和立面設計領域的 “Architecture and Building” 獎項，2011年獲得室內設計大獎第一名。被提名爲2010年新加坡 “WAF國際競賽” 決賽入圍者之一，是唯一的伊朗候選人。
Born in march 1998, Tehran Iran. MA in architecture at SBU, Tehran Iran. Lead architect at Ayeneh office since June 2020. Over the past decade, this office has received numerous national and international awards, including several “Memar” awards (the most creditable competition of Iran), “Architecture and Building” awards in the field of interior design and façade design, first rank of the interior design award in 2011, nominated for one of the finalists of the 2010″ WAF International Competition” in Singapore as the only Iranian candidate.
分享作品：伊朗米諾薩別墅 VILLA MINOOSA
該項目的地點位于達馬萬德山附近的 Hasht Behesht鎮。起初，這片土地在地平線上方的遠端向北傾斜，這對場地的景觀構成了嚴峻的挑戰。Damavand Peak（伊朗最高峰）是該場地的最佳景觀。然而，在地平線的下方，有一條擁擠的街道在裏面形成了不和諧的景色。因爲想要保持對山原本特點，同時隱藏街道的部分。因此，産生了塑造了該項目的概念：斜坡被拆除，土地變成了一個下窪地。改建後，內部空間被隱藏在行人的視線之外，但他們仍然可以飽覽于山頂的景色。這不是一個完整的整體，而是被分成三個獨立的部分，在他的中心放置小的院子，以幫助它們隱藏街道的視野，同時看到山頂的視野。
The site of the project was located in Hasht Behesht town near Mount Damavand. At first, the land had a slope to the north. Yet, view of the site posed a serious challenge; at the far end above the horizon, Damavand Peak (the highest peak in Iran) was the best view of the site. However, down the horizon line, there was a crowded street imposing disturbing views on the inside. The challenge was to keep the view to the mountain and at the same time, hide the inside from the street. Therefore, answering this challenge shaped the concept of the project; the slope was removed and the land turned into a pit. Making this decision, the internal spaces were concealed from pedestrians’ view, yet they still benefitted from the view to the Peak. Instead of having an integrated volume, the volume was cut into three separate volumes, lodging small yards in their cores to help them hide the view from the street, while providing the view to the Peak.
Leonardo Mariani
法國VP建築設計事務所
中國區副總經理、設計總監
注冊建築師，LEED 認證會員
米蘭理工大學 建築學碩士
Deputy General Manager and Design Director of China office Registered Architect (Como Chamber of Architects), LEED Green Associate Master of Polytechnic University of Milan
Leonardo Mariani 先生在建築設計領域從業超過 17 年，曾任職于多家國際建築設計事務所，如福克薩斯建築設計事務所(意大利)，羅昂設計(德國)，德建事務所(瑞士)。他于 2011 年加入法國 VP 建築設計事務所，而後擔任中國區副總經理 及設計總監。通過多年在海內外項目設計與實踐中的積累，他總結出一套適合中國國情的設計方法和解決重大問題的策略思路並在多種建築類型上都具有豐富的經驗與專業知識，參與過的項目涵蓋商業建築、會展會議中心、酒店、文化教育類建築等。
Mr. Leonardo Mariani has been in the field of architectural design for over 17 years and worked for several international architectural design firms, such as Studio Fuksas (Italy), logon.design (Germany) and VIRTUARCH (Switzerland). He joined Valode & Pistre in 2011 and then serves as the Deputy General Manager and Design Director of China office. Through years of accumulation in projects’ practice at home and abroad, he has summed up a set of design method suitable for China’s national conditions and strategy for solving major problems. He has rich experience and professional knowledge in various projects’ types covering commercial buildings, convention and exhibition centers, hotels, cultural and educational buildings, etc.
分享作品：深圳國際會展中心 Shenzhen World Exhibition & Convention Center
這是目前全球最大會展中心之一。建築面積160萬平方米，室內展覽面積40萬平方米。以藍紫色海浪型屋面和蜿蜒其中的彩色絲帶花紋具象地诠釋出“海上絲路”的深厚寓意。而熱情的深圳市花簕杜鵑與“海岸衛士”紅樹林被巧妙地融入設計中，成爲獨具特色的建築語言。建築師需要因地制宜去做建築設計，巧妙利用自然環境，滿足建築功能需求，把建築打造成真正有生命的雕塑。無論什麽樣的建築形態，都要重視細節的雕琢，以細節感動人。
Currently one of the world’s largest exhibition and convention center, it has a building area of 1.6 million square meters, and an indoor exhibition area of 400,000 square meters. It showcases the deep meaning of the “Maritime Silk Road” figuratively with the lavender blue wavy roof and the winding colorful ribbon patterns. The passionate Shenzhen flower, bougainvillea, and “coast guard” mangroves are subtly integrated into the design, becoming a unique architectural language. Architects need to do the design according to local conditions, make good use of the natural environment, meet functional needs, and then make the building into a living work. No matter what kind of architectural form, we should pay attention to the details and move people with them.
第十三屆園冶杯國際建築設計競賽已經開始歡迎申報
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